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OLAF 2025 Ends on a High Note

A Celebration of Art, Connection, and Community

The fifth edition of the Otjomuise Live Arts Festival (OLAF) came to a vibrant close this weekend, filling Zoo Park with dance, music, storytelling, and community spirit. Over two days, the festival transformed Windhoek’s city centre into a living canvas, where artists and audiences met in shared spaces to celebrate creativity and connection under the theme “A Garden of Expression.”

Among the standout performances was one by Mavetjiua Haimbodi, an arts researcher and dancer who returned to the stage after a ten-year hiatus. Her thought-provoking piece explored themes of separation, upbringing, family, and identity in a world shaped by colonialism and capitalism.

“This was my first time performing in public in over ten years, and to do it here in Namibia felt incredibly symbolic,” Haimbodi shared. “It was a personal reconnection — not just with dance, but with the idea of belonging and finding myself through my roots.”

For Haimbodi, who trained in dance during her youth and later pursued art research abroad, performing at OLAF was both a challenge and a homecoming. “I’m used to being far from the audience, but OLAF encouraged closeness. I wanted to walk through the crowd and truly connect,” she said. “That’s the point of art — to make community and open spaces for reflection.”

As the final notes faded and the crowd dispersed, OLAF once again proved its power to bring people together through art that is bold, accessible, and deeply human. The festival, jointly produced by the National Theatre of Namibia (NTN) and the Goethe-Institut Namibia, continues to affirm Windhoek as a city where art lives not just on stages, but in the heart of its people.

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